I had the pleasure of interviewing several people for the livestream at the Intelligent Cities Forum at the National Building Museum last year.
Among them was Mark Cleverley, Directo of Strategy for Global Government Industry at IBM
And Mitchell Silver, President of the American Planning Association
U.S. Secretary of State Hillary Clinton gave a speech yesterday that touched on the concept of Digital Placemaking:
Two billion people are now online‚ nearly a third of humankind. We hail from every corner of the world, live under every form of government, and subscribe to every system of beliefs. And increasingly, we are turning to the Internet to conduct important aspects of our lives.
The Internet has become the public space of the 21st century‚ the world’s town square, classroom, marketplace, coffee house, and nightclub.
We all shape and are shaped by what happens there. All two billion of us and counting. And that presents a challenge.
To maintain an Internet that delivers the greatest possible benefits to the world, we need to have a serious conversation about the principles that guide us. What rules exist‚ and should not exist‚ and why; what behaviors should be encouraged and discouraged, and how.
The goal is not to tell people how to use the Internet, any more than we ought to tell people how to use any public space, whether it’s Tahrir Square or Times Square.
The value of these spaces derives from the variety of activities people can pursue in them, from holding a rally to selling their wares to having a private conversation. These spaces provide an open platform‚ and so does the internet.
It does not serve any particular agenda, and it never should. But if people around the world are going to come together every day online and have a safe and productive experience, we need a shared vision to guide us.
Read the full text of her speech here:
I recently caught up for a chat with with the very awesome Jacob Smith from Place Matters and Mayor of the City of Golden Colorado. We ate some lunch, he asked me some questions, I answered them, he filmed it.
What does a giant space robot made of lions have to do with networked eco-systems and organizational capacity building?
In the face of increasingly complex challenges, organizations are recognizing that, impact of their efforts can be scaled by collaborating, instead of competing, with complementary organizations.
As a community builder, my work is increasingly focused on the development and maximization of multi-partner networks and organizational capacity building. I am often called on to facilitate tense situations to help organizations and partner networks find common ground and maximize opportunities to leverage the activities and efforts of individuals organizations for the greater good of the eco-system.
As you can imagine, talking through the theory behind this can get a little dry.
That’s why I have started to employ the use of VOLTRON – a 1980’s children’s cartoon about a force of space crime fighting robot lions with a jazzy theme song – to illustrate the awesome potential for organizations thinking about engaging in a networked eco-system approach.
The VOLTRON Force is made up of 5 robot lions who fight space crime. Each lion is an autonomous unit with its own unique character and particular skill set and expertise. Each individual lion can tackle small to medium size challenges on their own.
Every episode, a super evil bad guy comes along that requires all the lions to collaborate to overcome a complex challenge. When this happens, each individual has a predetermined process to slot seamlessly into the infrastructure of the larger unit to form VOLTRON. Each individual forms a critical piece of the larger whole, maximizing their efforts as a single networked lion fisted entity – stronger than the sum of its parts.
By establishing backbone infrastructure and protocols for collaboration, and nurturing trusting relationships, organizations can continue to operate as autonomous service providers, maintaining a unique identity, while leveraging a larger eco-system of skills, support, resources and profile.
Fostering these networks takes time, trust, shared commitment and boundless enthusiasm. It’s important to get people excited about the process and the potential, so that when they hit the inevitable road blocks and the friction inherent in collaborating with multiple stakeholders, they can see past the immediate challenges, towards the rewards in the future.
1980′s synthesizer and lighting breathing lion-fisted robots are just what we need to get people excited!
Examples of Crime Fighting Collaboratives:
Examples of Networked Eco-Systems and Organizational Collaboratives:
From "Facebook connections map the world" from BBC
Ok – so lets get this straight. A community is not a place or a website. A community is a group of people, connected by a complex web of shared needs, that are satisfied by active exchange (or transactions) within the group.
Think about all the needs you have. How many can you solve all by yourself? Not that many right?
A diverse and active community is likely to have complex and multilayered needs and a high rate of exchange – buying and selling goods, telling and listening to information, watching and showing off, etc.
In our cities and towns, people travel to particular destinations like town squares and active main streets to undertake these transactions. These are places that facilitate exchange and satisfy our variety of needs in complex ways.
The web is also made up of destination websites that facilitate exchange. Sites like Facebook and Amazon are great examples of digital places that act like town squares or main streets, and provide the infrastructure to satisfy multiple needs in complex ways.
In cities, we create and manage thriving, delightful places that facilitate and enhance interaction and exchange. These places are designed and curated to satisfy a variety of needs, to engender certain types of behavior and interaction, and to produce certain feelings and emotions. We call it Placemaking .
Placemaking for Community Building
I talked to Kate McMahon – Director of Placemaking at Melbourne’s Village Well – about active communities, and she described the urban designers go-to example – a buzzing little town square.
She says, “there are lots of mechanisms for exchange going on here – shops to buy groceries and objects, cafes to grab a snack or a coffee, street performers and pedestrians to watch, posters and notice boards to get information – that attract a diverse array of people for a variety of different reasons”.
In addition to these core transactions, there are lots of other incidental exchanges (or ambient participation) happening, just because of proximity and because people are coming in contact with each other.
She adds, “people are sharing gossip, watching a performance, holding the door for each other, smiling at each other, noticing what each other are wearing, how people carry themselves, how they behave – information is being observed and shared, memes and trends are being generated and regenerated. It is an active community because people need each other, they need stuff from each other, and they can come to this place and have the majority of their needs satisfied by a series of simple social exchanges”.
These active places also tend to be highly programmed and managed – either by an elected group of vested interests, or a self selecting group of active community members. Ensuring that there is a diverse mix of opportunities to stimulate the senses, attractive places to sit, shop, eat and share information, and that people understand and operate within the socially accepted norms of that culture.
Isolated By Satisfaction
At the other extreme, we have the urban designers worst case example of an inactive community – a sprawling suburban housing development. These are often conceived at the hand of a developer, a designer and a branding expert, are built from scratch on fields or farmland, and tend to be more mono-cultured and have much flatter rates of community exchange activity. These cookie cutter developments tend to be designed to serve only one critical need – to house small groups of people in large buildings.
McMahon says that to the detriment of local community; “these houses are often so self-contained and self-sufficient that the people living there don’t have many needs that can’t be met within their own personal space – and when they do need stuff, they are encouraged to get in their car or on the internet and find it elsewhere, outside their local neighborhood”.
The inherent need to engage with a local community, and the opportunity in many places, just doesn’t exist, designed out by an overabundance of personalized solutions.
So how do we “Make Place”?
Placemaking isn’t just about the designing the bricks and mortar, it is a collaborative and responsive design process that creates welcoming and robust places. The core principles* focus on:
An understanding and enhancement of these critical factors is most likely to produce great thriving destinations that people love.
Digital Placemaking for Online Community Building
On the web, like in cities, we need to create great thriving digital places. Like town squares, websites are destinations for activity. People visit them to satisfy needs, and form communities around that meaningful transaction of engagement. Using the principles for placemaking in the city, we can reinterpret the transactional functionality of the web to build digital places that engender more engaged and thriving online communities.
We’re all experts!
One of my favorite things about placemaking is that everyone can be an expert – because we can all be experts in what makes us satisfied. We may not all use the same language to describe things, but with some guidance, we can all describe the ways a place meets our needs. Think about it next time you are somewhere that makes you feel really happy and ask yourself why? Look around, and consider:
Then, next time you are on a great website, use the same filter to start to think about it as an online place and consider:
As we continue to spend more time plugged into online communities, think about how we can learn from the great places in our cities and start to translate those principles into the digital places we inhabit and the online communities in which we participate.
* This simplified list of core placemaking principles is an incomplete aggregation, inspired with thanks by the work of People for Public Spaces, Village Well, The Hornery Institute and Comedia.
This week, in my responsibilities as Dean of Awesome, I had the great pleasure and privilege to call the winner and runner up for the first grants from the Awesome Foundation DC. There is almost nothing better than breaking the great news that you will be helping to make someones dreams come true… especially such deserving projects like our two December winners – the Fab Lab DC and the Kitchen Classroom Project.
Details live on the Awesome Blog.
Applications for the January grant are now open. Apply here.
I am totally inspired by this courageous post from the Brooklyn Museum today about the shifting focus of their social media and tech engagement of their 1stfans program – a socially networked museum membership.
In itself, 1stfans was a courageous experiment in diversified social media engagement. A membership-only service, the Brooklyn Museum went all-in committing to an intensive curated program of engagement over Twitter, Facebook and Flickr to engage a local and remote community in art. Now, after 2 years of operation, Shelley Bernstein (CTO) writes:
Simply put, the in-person benefits rock—people socialize and meet new friends while attending awesome meetups around museum content. By contrast, the online benefits have not worked as well and when we talked to our far-away supporters informally they indicated they were joining (and continuing to renew) out of general support for the museum, not necessarily to obtain a tangible benefit.
It’s because of this all of this that we are shifting focus to better accommodate the in-person meetup and changing the use of technology to support that goal. At the end of November, we will be discontinuing the use of Twitter, Facebook and Flickr groups for 1stfans and we’ll be moving our online operations to Meetup.com.
Where so many organizations and governments are struggling to get their collective heads around how to use social media tools to engage their communities, often getting completely frozen in the process, the Brooklyn Museum provides a great example of an organization experimenting, while balancing it’s own organizational capacity with the needs of it’s community. I’ll certainly be using it as a great example of strong adaptive leadership in the future.
Adaptive Leadership Brooklyn Style – in 5 parts:
The fabulous Jane McGonigal recently gave a sermon at London’s School of Life about productivity and gaming. As always, an inspiration: http://vimeo.com/16227360
And now a gaming for change mega mix below:
Jane McGonigal: Gaming can make a better world
Tom Chatfield: 7 ways video games engage the brain
Kellee Santiago: Are Video Games Art?
And my hero Will Wright (referencing SO many of my inspirations)
After months of organizing and meeting with some of DC’s most amazing people, it gives me great pleasure to announce that the Awesome Foundation DC is opening up shop, and ready to uphold your rights to awesomeness from the nations capital.
I first heard of the Awesome Foundation, working on community building project for the Tech and Innovation sector in Boston, when I had the good fortune to meet up with the fabulous founder of all things Awesome and ROFL – Tim Hwang.
Tim had recently teamed up with Jon Pierce and a motley crew of amazing innovators to launch the foundation in June 2009. They had a vision of democratizing philanthropy and removing the barriers to catalyzing awesomeness in their community.
The premise was simple: Assemble a board of 10 young innovators. Each individual contributes $100 a month = $1000 cash each month. Ask people to apply for the monthly grant with only one formal requirement: That the idea be AWESOME. The board of trustees deliberates, selects an idea, awards a cash prize, and throws a party to celebrate.
Awesome right?
You can read Tim’s early thoughts on the Foundation here.
The Boston Chapter awarded it’s first $1000 grant to The Giant Hammock – to be constructed in Boston Common. Since then, each month, chapters of the Foundation award a $1,000 grant to projects that advance the interest of Awesomeness in the universe.
There are no requirements for applying, no definite criteria for deciding the winner, and no limitations beyond the necessity for being awesome. Winners receive the money in cash, giant novelty check, or gold doubloons. The Awesome Foundation taps into growing trends in micro-philanthropy providing young leaders opportunities to share resources to inspire and catalyze awesomeness in their local community.
Operating chapters of The Awesome Foundation can be found in: Berlin, Boston, a USA wide Food chapter, London, Los Angeles, Melbourne, New York City, Ottawa, Providence, San Francisco, and now Washington DC. Each chapter of the Awesome Foundation draws on inspiration from it’s city.
The board of the Awesome Foundation DC is staffed by some of the Districts most committed civic innovators, ready to help turn your dreams of awesomeness into reality, $1000 at a time.
The Awesome Foundation DC is (L-R): Mark Drapeau/@Cheeky_Geeky, Shana Glickfield/@Dcconcierge, Frank Tobia/@Ftobes, Erica Williams/@Ericawilliamsdc, Philippa Hughes/@Pinklineproject, Garlin Gilcrist II/@Garlin, Charlie Bengel Jr, Peter Corbett/@Corbett3000, Eric Mill/@Klondike, Alexander Howard/@Digiphile, Bonnie Shaw/@Bon_Zai (Dean of Awesome + contact for queries)
Each month (starting now!) we will award $1000 cash to a project that promotes awesomeness in the District and surrounds. Your idea/innovation/project can be sublime or ridiculous (or sublimely ridiculous!) as long as it meets the following criteria:
1. It’s awesome.
2. It’s got impact.
3. It’s going to happen soon.
First round submissions close midnight Tues 30 November. To enter, complete the Washington DC application form here.
For further inspiration, check out what some of the other chapters have funded in the past:
Boston: The Big Hammock (The project that kicked it all off)
The first ever winner of an Awesome Foundation grant – the Big Hammock was constructed and spent the summer of 2010 in the parks of Boston.
San Francisco: Sounding the Waters of San Francisco Bay
“Claire Schoen, who is creating a series of awesome audio tours about how climate change is affecting the San Francisco Bay. These tours will celebrate the biodiversity of the Bay while exploring the impact of sea level rise on coastal communities near the Bay and the human and natural life that depends on them. It will also explore what steps people are taking to address this shift. Check out www.claireschoenmedia.com to hear her past work.”
London: The Big Dipper Project
“As our cities become increasingly populated, the man-made mix of pollution and light have all but banished the stars from our skies, eroding our magical relationship with these distant balls of white-hot plasma. ‘The Big Dipper Project’ is an attempt to recreate the constellations in the night sky over major cities using a combination of black helium balloons and white LEDs. Oscar, a French product designer and artist currently studying at the Royal College of Art in London, has been perfecting his technique by tethering his stars in a variety of configurations across the city. He aims to use the money to turbo-charge his efforts, bringing in bigger balloons, arduinos and advanced software to ensure precise star locations and minimal drift. This will culminate in a recreation of The Big Dipper somewhere over London later this Summer.”
New York: Hip-Hop Word Count
“The Hip-Hop Word Count is a searchable ethnographic database built from the lyrics of over 40,000 Hip-Hop songs from 1979 to present day. The Hip-Hop Word Count describes the technical details of most of your favorite hip-hop songs. This data can then be used to not only figure out interesting stats about the songs themselves, but also describe the culture behind the music. How can analyzing lyrics teach us about our culture? The Hip-Hop Word Count locks in a time and geographic location for every metaphor, simile, cultural reference, phrase, rhyme style, meme and socio-political idea used in the corpus of Hip-Hop. The Hip-Hop Word Count then converts this data into explorable visualisations which help us to comprehend this vast set of cultural data. This data can be used to chart the migration of ideas and builds a geography of language.“
Stay in touch with us @AFdnDC and follow our collective exploits at Awesome Foundation DC. Stand up and make your awesomeness heard. Be awesome now.
From the COMMUNITYMATTERS 10 Conference in Denver
My ears always pop on those super fast elevators. This time I’m rocketing up to the 37th floor where floor to ceiling glass reveals the flat expanse of Denver bathed in a golden sunrise. I notice a huge white timber rollercoaster in the distance and then the rocky mountains rise up to meet the clouds.
Can you guess I kicked off the COMMUNITYMATTERS 10 Conference with a storytelling workshop with Barbara Ganley?
Barbara lead us through a wave of thought provoking exercises – describing ourselves in 5 keywords for a wordle visualization, taking a meaningful story and breaking it down into its component parts – names of characters, key location, the emotion felt, the time of day, then we interpreted photographs taken by other people, trying to decipher the story captured on the page in a single image. The theme was “Community”.
I showed a picture taken recently at my wedding back in Melbourne, Australia. It’s a closely cropped shot of me and my new husband, surrounded by the 150 people who attended our wedding – friends and family from all over the world. Never before, and probably never again, will this group of people be together in one place. I explained that after moving around so much in the last few years, from Brisbane to Melbourne, to London, then to Boston, and now Washington DC, that my community has become scattered across the world. Captured in this photograph is a beloved group of people, representing all the places my husband and I have called home, united by the fragile strings of internets and telephones and long plane rides that allow us to stay connected.
Even though I only get to see a tiny fraction of these people face to face on a regular basis, I have more contact with many of them than I do with people that live down the hall in my apartment building. But I’ve just moved to DC, and as I spend more time getting to know people in the city, I will probably spend less time with my community online. As always, my connection with my communities – both online and off – will ebb and flow.
After two years working out on the cutting edge of the internets, this was a fascinating re-entry back into the world of urban planning, and place specific community engagement. The focus on story, on making an emotional connection, on understanding how place is important, was quite a dramatic return to place based community thinking.
I have always considered myself something of a nomad – in my lifestyle and my career choices. I believe that’s why I am so interested in how people make meaningful connections with where they live, and with each other. Having made and left memories in cities all over the world, and forged a career across disciplines, it was a heart warming experience to find myself embedded in the welcoming community of people that I found at the COMMUNITYMATTERS Conference. Surrounded by new friends, looking out over a dynamic landscape, with the morning sun shining through the windows, I felt like I’d come home.
